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The Bradbury: Reading (and Writing) Whatever

The Bradbury is orderly and not. The result typically is the same: a refresh for the new day, a reorientation toward life marked by readiness. After this ritual, my mind is jolted to recognize everything in new ways; my eyes enjoy a sort of popping noise, as if they are literally moving closer to the world.

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Kirkus Reviewed One Headlight!

“An affecting and surprising remembrance about the responsibilities of parents and children”

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15 screenwriting lessons from Bridgerton

The only reason we know the name of the Duke’s mother is because the badass that is Lady Danbury (Adjoa Andoh) says her name before she passes. The main story of Daphne’s suitors continues as this backstory to the Duke and all he owes to Lady Danbury becomes the subplot.

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What is character but the determination of incident? What is incident but the illustration of character?

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The stories that you tell, the words that you use and refine, the characters you try to give life to are merely tools with which you circle around the elusive, unnamed, shapeless thing that belongs to you alone, and which nevertheless is a sort of key to all the doors, the real reason that you spend so much of your life sitting at a table tapping away, filing pages. The question in every story is the same: is this the right story to seize what lies silent in my depths, that living thing which if captured, spreads through all the pages and gives them life?

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