Anyway, one waits for the creative flow to start. One cannot force it, and shouldn't. This is what I would like to make clear: that a creative novelist—or dramatist for that matter—always relates back to what he or she has stored up from the first two or three decades of life. Childhood and youth are the source. Certainly all that I have written— the voices, faces, places, and images—the whole creative thrust, comes from my early life.
I often ask myself what makes a story work, and what makes it hold up as a story, and I have decided that it probably some action, some gesture of a character that is unlike any other in the story, one which indicates where the real heart of the story lies. This would have to be…Read more