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Maybe stories, fiction or not, give solace, context, possibility, as much with their stable, recurring forms as with their infinitely various contents, and thereby produce examples of lives shaped, framed so they are recognizably distinguishable from emptiness, from darkness that seems always to surround and render lives unseeable.

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Drama should present not new stories, but new relationships.

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Stories thrive on bad behavior, bad manners, confrontations, and unpalatable characters who by wish or compulsion make their desires visible by creating scenes

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