Posted on May 31, 2018
Just as a pianist runs his scales for ten years before he gives his concert: because when he gives that concert, he can’t be thinking of his fingering or of his hands; he has to be thinking of his interpretation, of the music he’s playing. He’s thinking of what he’s trying to communicate. And if he hasn’t got his technique perfected by then, he needn’t give the concert at all.
Posted on March 16, 2018
I often ask myself what makes a story work, and what makes it hold up as a story, and I have decided that it probably some action, some gesture of a character that is unlike any other in the story, one which indicates where the real heart of the story lies. This would have to be […]
Posted on February 13, 2018
I think that the character is the fount of all fiction. That’s where the conflict comes from, where the plot comes from, where the story comes from. If I feel that something isn’t go, if it doesn’t have it’s own drive, I don’t look at the incidents to try and understand what’s going wrong, I look at the character.